2015 Tom Fairley Award Short List Announced

>>From the Editor’s Association of Canada

2015 Tom Fairley Award Short List AnnouncedFR

Toronto, May 31, 2016—The Editors’ Association of Canada (Editors Canada) has announced the finalists for the 2015 Tom Fairley Award for Editorial Excellence.

The Tom Fairley Award recognizes an editor’s outstanding contribution to a work published in Canada in English or French in the award year. The $2,000 grand prize will be presented at the awards banquet of the Editors Canada conference in Vancouver on June 11. Editors Canada is also pleased to announce that the three other finalists will each receive a cash prize of $500 in recognition of their exceptional editorial performance.


David Carpenter of Saskatoon, Saskatchewan, for The Education of Augie Merasty: A Residential School Memoir by Joseph A. Merasty (University of Regina Press)

The panel was impressed with Carpenter’s patience, determination and respect as an editor. “Through his sensitive and supportive editorial skills he has enabled an author to reach an unprecedented readership,” said one judge. “In this relatively early phase of truth- and reconciliation-seeking in Canada, we have a tiny gem of a work, an important published contribution—more than a decade in the making—that helps us know differently what we think we already know intellectually. This is committed editing of the highest order.”

Maggie Langrick of Vancouver, British Columbia, for Shell: One Woman’s Final Year After a Lifelong Struggle with Anorexia and Bulimia by Michelle Stewart (Life Tree Media)

The author of this book died of complications from anorexia nervosa shortly before her family contacted Langrick to pull together and publish her story. “This is an example of excellence in editing under extreme circumstances,” said one judge. “Langrick’s sensitive editing enabled a nascent book to take shape, one that respects the voice of an author facing urgent and overwhelming challenges. This is sensitive, non-intrusive editing for an author’s legacy.”

Lesley Peterson of Florence, Alabama, for The Little Third Reich on Lake Superior: A History of Canadian Internment Camp R by Ernest Robert Zimmermann, Michel S. Beaulieu and David K. Ratz (University of Alberta Press)

The panel lauded Peterson’s advanced skill in managing conflicting expectations on a difficult work that blended memoir and scholarly research. “Peterson impressively demonstrates that while the work of an editor may be hidden, it can require advanced skills in tact, diligence and patience,” said one judge. “With many competing interests in the posthumous work, Peterson had to do far more than the thorough copy edit required. Peterson is patience with a capital P.”

Margaret Shaw of Coquitlam, British Columbia, for The Meter Socket Handbook by (Thomas & Betts Limited)

Shaw, an experienced technical editor, created The Meter Socket Handbook for an engineering firm by distilling technical information, editing and rewriting text, and researching and writing some new material. “Since the publication was intended to be a training manual for non-engineers, Shaw sought plain language in highly complex explanations,” said one judge. “She reorganized the presentation of the manual based on user needs. Because of her scrupulous attention in all areas of the project, the manual improved dramatically.”

* * *

The judges for the 2015 Tom Fairley Award are respected Canadian editors. Kevin Burns is a writer, editor, researcher, and the former producer of The Arts Report for CBC Radio. He continues to create documentaries for CBC Radio’s Ideas. Lenore Hietkamp is a freelance editor specializing in fiction, technical and academic publishing, with a background in art and architectural history. She is also in her third year as chair of the Professional Editors Association of Vancouver Island. Stephen Kimber is the author of one novel and eight non-fiction books, including What Lies Across the Water and Loyalists and Layabouts. He is also a professor of journalism at the University of King’s College in Halifax.

For more information, visit the press release on the Editor’s Association of Canada website.

Writers’ Trust Commends Three Young Fiction Writers

>>From the Writer’s Trust of Canada

Writers’ Trust Commends Three Young Fiction Writers

Finalists Announced for RBC Bronwen Wallace Award for Emerging Writers

Toronto – May 11, 2016 – The Writers’ Trust of Canada has announced the finalists for a literary award known for discovering and promoting the brightest up-and-coming young writers in Canada.

The RBC Bronwen Wallace Award for Emerging Writers rewards writers who are under age 35 and unpublished in book form. Alternating each year between poetry and short fiction, the award is given this year to the author of an exceptional short story. The $5,000 award is supported by the RBC Emerging Artists Project, which invests in developing artists to help build their professional careers. The winner will be announced on June 8 at an event at Toronto’s Royal Conservatory of Music.

A jury composed of fiction writers Eden Robinson, Johanna Skibsrud, andMichael V. Smith read 131 anonymous submissions to select three finalists

Brendan Bowles for “Wyatt Thurst”

Brendan Bowles has won the Toronto Star Short Story Award and has been nominated for the CBC Short Story Prize, the Disquiet International Literary Contest, and the Broken Social Scene Story Award. He was one of two writers nominated for PEN Canada’s New Voices Award in 2013. Bowles lives in Toronto.

Allegra McKenzie
for “This Monstrous Heart”

Allegra McKenzie is a writer based in Wakefield, Quebec. She placed first in the 2014 Quebec Writing Competition, and her short fiction has been published in Geist, Maisonneuve, and Salut King Kong: New English Writing from Quebec. McKenzie is co-owner of Point, a writing and editing business based in the Gatineau Hills.

Hannah Rahimi for “With My Scarf Tied Just So”

Hannah Rahimi grew up in Toronto. She earned an MA from Concordia University in Montreal, and is currently pursuing an MFA at Purdue University in Lafayette, Indiana. Her short fiction has been published inCosmonaut’s Avenue and Drain Magazine.

The finalists will each receive $1,000 and the opportunity to be mentored by an editor, including feedback on their writing and guidance on their career development.

Along with featured works of past years’ finalists, the nominated short fiction by each finalist is available for free download exclusively on iBooks at iTunes.com/BronwenWallace.

“Created to give young writers a boost early in their careers, this prize has honoured dozens of Canadian authors, many of whom have gone on to receive wide critical acclaim for their work,” said Mary Osborne, Executive Director, Writers’ Trust of Canada. “We congratulate this year’s talented nominees on their inclusion on this impressive list, and look forward to reading the work they will produce in years to come.”

“Many young Canadian writers have gained national recognition by being named one of the finalists of the RBC Bronwen Wallace Award for Emerging Writers,” said Valerie Chort, VP Corporate Citizenship, RBC. “We share the Writers’ Trust of Canada’s goal of nurturing the next generation of Canadian writing talent and we expect to be reading – and reading about – these three authors for a very long time.”

About Bronwen Wallace

Bronwen Wallace was a poet, short story writer, and mentor to many young writers as a creative writing instructor at Queen’s University and St. Lawrence College in Kingston. This prize was established in her honour in 1994 by a group of friends and colleagues. Wallace felt that writers should have more opportunities for recognition early in their careers and so this annual award is given to a writer below the age of 35 who has published poetry or prose in literary magazines, journals, or anthologies, but has not yet been published in book form.

About the Award

Since it was established in 1994, the RBC Bronwen Wallace Award has distinguished 72 young writers with a nomination, many of whom have gone on to receive literary acclaim. Past winners include Michael Crummey, Stephanie Bolster, Alissa York, Sonnet L’Abbé, Alison Pick, Jeramy Dodds, Marjorie Celona, Garth Martens, and, most recently, Alessandra Naccarato.

For more information, visit the press release on the Writer’s Trust of Canada website.

Short List Announced for the 2015 Danuta Gleed Literary Award

>>From the Writer’s Union of Canada

Short List Announced for the 2015 Danuta Gleed Literary Award

The Writers’ Union of Canada is pleased to announce the short list of nominees for the nineteenth annual DANUTA GLEED LITERARY AWARD. The Award recognizes the best first collection of short fiction by a Canadian author published in 2015 in the English language. The Award consists of cash prizes for the three best first collections, with a first prize of $10,000 and two additional prizes of $500.

The jury this year comprised authors Shauna Singh Baldwin, Barry Dempster, and Dora Dueck, who determined the short list from 25 collections submitted, some by seasoned writers, others by authors being published for the first time. Those finalists are:

Gerard Beirne, In a Time of Drought and Hunger, Oberon Press
Andrew Forbes, What You Need, Invisible Publishing
Hugh Graham, Last Words, Exile Editions
Kevin Hardcastle, Debris, Biblioasis
Heather O’Neill, Daydreams of Angels, HarperCollins Publisher

The winners will be announced at the Canadian Writers’ Summit (June 15–19) at Harbourfront.

The Award was created as a celebration of the life of Danuta Gleed, a writer whose short fiction won several awards before her death in December 1996. Danuta Gleed’s first collection of short fiction, One of the Chosen, was posthumously published by BuschekBooks. The Award is made possible through a generous donation from John Gleed, in memory of his late wife, and is administered by The Writers’ Union of Canada.

Jury Comments on the Finalists for the

Gerard Beirne, In a Time of Drought and Hunger, (Oberon Press)
Place has a starring role in Gerard Beirne’s In a Time of Drought and Hunger, specifically a Cree community in northern Manitoba. A typical Beirne story feels like it’s been underway for ages and that you’re just catching up with it now. One character is obsessed with what kind of fur coat to buy; another meets a young woman who might be Charles Manson’s daughter. Fates collide with often unpredictable results: fools and wise men, hunters and those who are just plain doomed. What all these people have in common is that they’re so richly drawn that any one of them could fill a novel. Beirne writes with a curiosity throbbing with energy, bordering on obsession.

Andrew Forbes, What You Need (Invisible Publishing)
Andrew Forbes’ stories in What You Need are plainly spoken, his characters ending up in bar fights, playing high school sports and building thermonuclear devices in their garages. He has a gift for balancing good old-fashioned narratives with surprising implosions of fate. Voice and details are his strong point. Whether they’re digging up a dead friend or puzzling over their daughter’s ability to walk through walls, his characters are easy to relate to, they are true to themselves and they engage the reader, who can’t wait to turn the page. What You Need is insightful and intelligent, sharp and deep as bone.

Hugh Graham, Last Words (Exile Editions)
In his opening story “Next to Last,” about a Canadian in Paris who ends up doing some work for the CIA, Hugh Graham’s writing is reminiscent of Graham Greene’s. But further intoLast Words, there’s a story about a woman’s passion, “Elmira Rawlinson,” that’s almost Thomas Hardy-ish with its richly descriptive tones. Graham is a chameleon of sorts, trying on different voices, shadings and special effects. But what you can count on from tale to tale is the complexity of his approach and the lusciousness of his prose. His blend of lyricism and deeply articulated empathy for the human condition resonates long after you’ve turned the last page.

Kevin Hardcastle, Debris (Biblioasis)
Debris is a spare and shadow-drenched book, the sentences well-wrought, the voice never less than distinctive. His characters include a cage fighter being tracked down by the Hell’s Angels, a night clerk at a seedy hotel who makes moonshine whiskey and a gas contract salesman wearing out his shoes in a number of Alberta towns. These are tough-talking men who advertise their misery like a kind of nakedness. Strangely, the result of all this suffering and violence is a beauty that at times almost takes your breath away.

Heather O’Neill, Daydreams of Angels, (HarperCollins Publisher)
Gypsies, cherubs, androids, wolf boys and the Marquis de Sade are just a few of the characters who populate Heather O’Neill’s Daydreams of Angels, a fanciful, fantastical collection of post-modern fairy tales. Despite the sweetness at the core of almost every story, the book is filled with dark, often sticky surprises. You’re guaranteed to come away from an O’Neill story both delighted and disturbed; she can go from the heights of glee to devilish anxiety in the space of a paragraph. Hers is a world of great imaginative alchemy. Whether she’s writing about shipwrecks, babies washed up on the beach or Rudolf Nureyev clones, she’s dead serious about her shape-shifting themes, fearless in the face of the wild and the absurd.

The Writers’ Union of Canada is our country’s national organization representing professional authors of books. Founded in 1973, the Union is dedicated to fostering writing in Canada, and promoting the rights, freedoms, and economic well-being of all writers.

For more information, visit the press release on the Writer’s Union of Canada website.

The League of Canadian Poets and the Academy of American Poets Team Up to Celebrate Poem In Your Pocket Day Across North America

>>From the League of Canadian Poets

The League of Canadian Poets and the Academy of American Poets Team Up to Celebrate Poem In Your Pocket Day Across North America

As a special collaboration for this year’s National Poetry Month in April, the leading membership-based poetry organizations that sponsor the month in Canada and the United States—the League of Canadian Poets and the Academy of American Poets—have created a guide for families, schools, and businesses to inspire and assist with local Poem in Your Pocket Day celebrations. The guide features poems by contemporary Canadian and U.S. poets.

Pocket Poem home pagePoem in Your Pocket Day, a special day during National Poetry Month, will be held on April 21, 2016. On this day each year, people celebrate by selecting a poem, carrying it with them, and sharing it with others. Poem in Your Pocket Day was initiated in 2002 by the Office of the Mayor in New York City, in partnership with that city’s Departments of Cultural Affairs and Education. In 2008, the Academy of American Poets took the initiative to all fifty United States, encouraging individuals around the country to join in and channel their inner bard. In 2016, the League of Canadian Poets will extend Poem in Your Pocket Day to Canada.

“We’re thrilled to be working with the League of Canadian Poets this April to promote contemporary poets and poetry in both our countries and across borders. Seeing as we both introduced and organize National Poetry Month, collaboration makes sense,” said Jennifer Benka, Executive Director of the Academy of American Poets. You can find the free Poem in Your Pocket Day guide and more information at poets.ca/pocketpoem.

Find more information on National Poetry Month at poets.ca/npm.

Ways to participate in Poem in Your Pocket Day

It’s easy to carry a poem, share a poem, or start your own Poem in Your Pocket Day event. Here are some ideas to help get you started:

  • Start a “poems for pockets” giveaway in your school or workplace
  • Urge local businesses to offer discounts for those carrying poems
  • Post pocket-sized verses in public places
  • Memorize a poem
  • Start a street team to pass out poems in your community
  • Distribute bookmarks with your favorite lines of poetry
  • Add a poem to your email footer
  • Post lines from your favorite poem on your Facebook, Instagram, Twitter, or Tumblr
  • Send a poem to a friend

About the Academy of American Poets

The Academy of American Poets is the largest membership-based nonprofit organization fostering an appreciation for contemporary poetry and supporting American poets. The organization produces Poets.org, one of the world’s most popular websites for poets and poetry; National Poetry Month; the popular Poem-a-Day series; American Poets magazine; resources for K-12 educators; an annual series of poetry readings and special events; and awards the American Poets Prizes.

About the League of Canadian Poets

The League of Canadian Poets is the professional organization for established and emerging Canadian poets. Founded in 1966 to nurture the advancement of poetry in Canada, and the promotion of the interests of poets. The League serves the poetry community and promotes a high level of professional achievement through events, networking, projects, publications, mentoring and awards. It administers programs and funds for governments and private donors and encourages an appreciative readership and audience for poetry through educational partnerships and presentations to diverse groups. As the recognized voice of Canadian poets, it represents their concerns to governments, publishers, and society at large, and maintains connections with similar organizations at home and abroad. The League strives to promote equal opportunities for poets from every literary tradition and cultural and demographic background. For more information about the League of Canadian Poets, visit poets.ca.

For more information, visit the press release on the League of Canadian Poets website.

Editors Canada announces the first réviseurs agréés from its French editing proficiency testing program

>>From the Editor’s Association of Canada

Editors Canada announces the first réviseurs agréés from its French editing proficiency testing program

Toronto, March 22, 2016 — The Editors’ Association of Canada (Editors Canada) is proud to announce the first réviseurs agréés in its history! Fifty-nine people passed the inaugural general editing test and will receive the title of réviseur agréé or réviseur agréée du Programme d’agrément en révision linguistique – Réviseurs Canada.

French-language editors now have a tool to assess their editing skills and receive official recognition from a professional association. What’s more, businesses, government ministries, agencies, organizations and all those who produce texts can now hire editors with proven expertise. The program includes two tests: one in general editing and one in comparative editing, which covers the editing of texts translated from English to French.

“We are thrilled to announce the first réviseurs agréés of our French editing proficiency testing program,” says Anne Louise Mahoney, president of Editors Canada. “Ten years ago, we paved the way with the Editors Canada Certification program in English. With the addition of the Programme d’agrément en révision linguistique – Réviseurs Canada, we can truly say that today we are also setting the professional standard when it comes to French-language editing in Canada.”

“I am very proud that the world’s francophone editors now have access to such a program,” affirms Sandra Gravel, chair of the program’s founding committee, “as it adds a key ingredient to keep their career vital and active and allows us to spread the word about this fascinating profession. Congratulations to all the new réviseurs agréés!”

In October 2016, Editors Canada will offer the first test in comparative editing to réviseurs agréés and réviseures agréées. Registration for the test will begin in May. The next test in general editing will be offered in October 2017. To find out more about the Programme en révision linguistique – Réviseurs Canada, visit www.reviseurs.ca/agrément.

2016 Réviseurs agréés and réviseures agréées:

Stéphanie Audet Brazeau, Toronto, ON
Magalie Avard, Québec, QC
Marie-Rose Basque, Saint-Hubert, QC
Marie-Gabrielle Blais, Québec, QC
Isabelle Bouchard, Saint-Antoine-de-Tilly, QC
Joanie Boutin, Saint-Augustin-de-Desmaures, QC
France Brûlé, Québec, QC
Marilène C. Rousseau, Montréal, QC
Isabelle Capmas, Sutton, QC
Geneviève Cloutier, Montréal, QC
Sylvie Collin, Montréal, QC
Dominique Dancause, Montréal, QC
Johanne David, Beaconsfield, QC
Luce Des Marais, Montréal, QC
Noémi Doyon, Québec, QC
Fabiola Fouron, Montréal, QC
Lise-Andrée Francoeur, Verdun, QC
Chantal Frigon, Montréal, QC
Marie-Élaine Gadbois, Québec, QC
Marie-Élaine Gervais, Montréal, QC
Marilyn Giroux, Sainte-Marie, QC
Josianne Guillemette, Lévis, QC
Catherine Houle, Québec, QC
Frédérique Izaute, Montréal, QC
Maryse Lafontaine, Beaconsfield, QC
Judith Langevin, Québec, QC
Pierre-Luc Langevin, Québec, QC
Anne-Marie Lapointe, Québec, QC
Jenny Larouche, Québec, QC
Suzanne Lavigne, Montréal, QC
Ariane Leblanc-Vincent, Québec, QC
Marie-Claude Leduc, Gatineau, QC
Liette Lemay, Québec, QC
Bianka Lemelin, Québec, QC
Emmanuelle Marchand, Boucherville, QC
Julie Morin, Gatineau, QC
Valérie Murray, Québec, QC
Pascale Ouimet, Lévis, QC
Sophie Pallotta, Saint-Eustache, QC
Sophie Paradis, Montréal, QC
Christine Paré, Lévis, QC
Annie Pelletier, Rivière-du-Loup, QC
Patricia Pelletier, Saint-Augustin-de-Desmaures, QC
Hélène Perrin, Laval, QC
Millie Pouliot, Québec, QC
Geneviève Racette, Montréal, QC
Marie-Ève Rivet, Québec, QC
Chantal Roberge, Québec, QC
Joëlle Simoneau, Boucherville, QC
Dominique Thomas, Saint-Colomban, QC
Sandy Torres, Granby, QC
Geneviève Toussaint, Québec, QC
Mylene Tremblay, Québec, QC
Daphné Trottier, Québec, QC
Dominique Vallerand, Montréal, QC
Catherine Vaudry, Québec, QC

About Editors Canada
Editors Canada began in 1979 as the Freelance Editors’ Association of Canada to promote and maintain high standards of editing. In 1994, the word “Freelance” was dropped to reflect the association’s expanding focus to serve both freelance and in-house editors. Now known as Editors Canada, it is Canada’s only national editorial association. It is the hub for 1,500 members and affiliates, both salaried and freelance, who work in the corporate, technical, government, not-for-profit and publishing sectors. The association’s professional development programs and services include professional certification, an annual conference, seminars, guidelines for fair pay and working conditions, and networking with other associations. Editors Canada has six regional branches: British Columbia; Prairie Provinces (currently on hiatus); Saskatchewan; Toronto; Ottawa–Gatineau; and Quebec/Atlantic Canada, as well as smaller branches (called twigs) in Calgary, Alberta; Kitchener-Waterloo-Guelph, Ontario; Hamilton/Halton, Ontario; Kingston, Ontario; Nova Scotia; and Newfoundland and Labrador.

For more information, visit the press release on the Editor’s Association of Canada website.

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